Rodrigo y Gabriela at The Vogue

photo from Sean Molin Photography

I had the chance to see Rodrigo y Gabriela for the first time at The Vogue here in Indianapolis with my concert-going-partner-in-crime @bhsmith1 on May 13th. To be honest, I had never heard of this acoustic rocking duo before he had mentioned them to me so I was pretty curious to see what they would be like at a live show. Let me just say that overall, I was impressed.

I like The Vogue as a venue, not a bad place to see a show but for whatever reason that night it was blazing hot in there. I'm not sure if they were trying to cut costs by skimping out on the A/C or what but it was hot!

It didn't get any cooler once @rodgab took stage because they were en fuego (how cheesy am I? ...or clever and witty?). I have never witnessed guitar playing with such grace and speed. It truly was a performance that simply listening to an album could not do justice. Being able to see them live also helped as I found songs began to run together in their 1.5hr long set but nevertheless, I had a good time and was thoroughly impressed by their passion and obvious talent. If you haven't spent any time listening to Rodrigo y Gabriela, you really are missing out on some incredibly gifted musicians. Their newest album "11:11" is out now.

Pearl Jam at Verizon Wireless Music Center

My brother (@JLipan) and I had the chance to see Pearl Jam this past Friday at Verizon Wireless Music Center in Noblesville, IN. Not only was this the 7th time I've seen PJ live, it is the 2nd time I've seen them in my own backyard (the 1st in 6/03 as my wife & I have lived in Noblesville for almost 8yrs now). Of the 7 times I've seen them, this show sneaks in to my top 2 despite some weather issues and a lengthy delay. I got our tickets through the 10 Club and was hoping that they would have been closer but I guess I can't complain about upper pavilion with a sold out show.

Band of Horses as the opening band sounded great despite missing the first part of their set. I had never heard of them before this show and am excited to get some of their stuff. Easily the best opener I have heard for any of my PJ shows so far.

Despite an hour delay due to weather and the band making sure that everyone was in the venue and safe, they played a 29 song set, which included 2 encores, for a total of 2.5hrs. They opened with a vengeance going from "Release" into "Last Exit" around 9:30pm and ended the show with the trifecta of "Alive", "Baba O'Riley", and "Yellow Ledbetter" at 12am. Everything in between was solid as well. Of course there were crowd favorites like "Even Flow", "Elderly Woman", "Wishlist" and "Betterman" with a few fan favorites like "Down", "Force of Nature", "Off He Goes" and "Whipping". The new stuff from Backspacer sounded great, the older stuff sounded great and it appeared as though the band was having a great time. Mike McCready was doing his thing all around the stage, Eddie interacted with the crowd quite a bit and showed he hasn't lost any energy by roaming around and jumping off monitors.

Overall, a great show! Tons of energy coming from the band and the crowd, despite a wet start to the night and a cold breeze throughout. If you are a Pearl Jam fan and haven't seen them live yet, I suggest you check them out, I trust you won't be disappointed.

Control Freak

Are you? Do you find yourself needing to be in control and having a hard time when you're not? How do you handle things that are beyond your control?

During my run this morning a song by Modest Mouse came up on shuffle that talks about God being a control freak. This got me thinking a little bit...do you think He is? What does the relationship between faith and control look like for you? I'd be curious to hear your thoughts.

Julian Casablancas Album & Show Reviews

Julian Casablancas first solo project entitled "Phrazes For The Young" has been out for some time now but I've just recently taken the time to check it out. Knowing that Casablancas is the front man for The Strokes and the little I know about them left me without any expectations as I sat down to listen to his debut.

I must say, overall I was pleasantly surprised. For some reason I had this preconceived notion that his sound would be overly punk with an unfortunate vocal quality but again I must say, I was glad to be wrong. The first track, and possibly my favorite on the album, Out Of The Blue, comes with vocals that are strong and experienced. The entire album is a collection of eclectic sounds ranging from rock, pop, synth, 80's (30 Minute Boyfriend), and even a little bluesy (4 Chords Of The Apocalypse). I think you will have a hard time not moving to a couple of the tracks on this album, especially 11th Dimension, another album favorite. Despite the album only having 8 tracks on it, I would certainly encourage you to check it out.

Now, on to the 'Rock for Riley VI' show at The Vogue that I had the chance to see last night with Julian Casablancas as the headliner...

I always enjoy seeing shows at The Vogue. I think it's one of the more solid smaller venues in Indianapolis. My concert-going-companion @bhsmith1 and I got there in plenty of time to see the opener, Funeral Party, play their 35min set. Not an awful opening set, got the crowd moving a little bit and some of the best musicians I have seen. I found their lead vocals to be a little unfortunate and difficult to listen to for 2 main reasons: 1) I couldn't understand what he was saying and 2) he screamed much more than he sang.

Next...the first half of the worst part of the entire show...the set change took an HOUR! I do not hold the 'Rock for Riley' people responsible for this but instead think for a venue this size with artists of this "size" an HOUR is UNACCEPTABLE! Actually, I am not sure an HOUR set change is ever acceptable, regardless of who you are.

Casablancas finally took the stage and the crowd immediately responded. There was energy and movement all over the place. By this time the crowd had filled out and was ready to go. He put together a solid set, playing I believe, his entire debut album but that is where the second half of the worst part of the entire show comes in...his set was actually shorter than the HOUR set change. That is not cool. We sit through 2 hours of an opening band and set change and get 45mins of the headliner? Quite a disappointment minus the fact that over $76k was raised for Riley Children's Hospital. So, save yourself the $20 to see him live and spend $4.99 at Amazon to buy the album and use the other $15 to grab something to eat (unless of course it's for a good cause).

"Hometown Stranger"

My review of Nightjar's debut album "Hometown Stranger" is long overdue. Thanks to @drchess for giving me the chance to checkout their new album. Having had the chance to listen through the album a couple times, I've found myself liking it a little more each time. The album has an 80's rock/folk/Americana feel to it that keeps you intrigued with edgy lead vocals and smooth background harmonies.

My favorite track on "Hometown Stranger" was solidified by the horn section on 'Sweet Brandywine'.

I missed the CD release show that took place at Radio Radio on 3/27 but from what I have read, it was a great show. I'm looking forward to the chance to see them live. Their two upcoming shows are on 4/5 at Butler University for a Haiti Relief Benefit and on 5/5 again at Radio Radio, maybe I'll see you there.

The Avett Brothers

Until a few months ago I had never heard of The Avett Brothers but thanks to a good friend (@bhsmith1) I was introduced to their music. Not only have I become a fan of their tunes but I had the chance to see their show this past Sunday night (2/28) at the Murat Centre Egyptian Room in downtown Indianapolis.

Decent venue but honestly, the show these guys put on made the venue irrelevant. Not only was the opening act one of the best openers I have seen, The Low Anthem, but the show overall was solid. The mix was perfect, the guys were energized and the set list was everything I was hoping it might be. A total of 21 songs with each song full of passion and energy that left me wanting more.

Their style of bluegrass mixed with folky rock combined with vocal harmonies that only brothers can provide was powerful. You could feel the vulnerability and passion in their lyrics, hear it in their voices and see it on their faces. It was a beautiful reminder to me of God's ability to use music to connect with a person, even the "secular" kind. I like to think that God is able to use good music as well as "Christian" music. I walked away from that show wishing it wasn't over and feeling like I had just experienced church. I look forward to seeing them again, hopefully sooner as opposed to later.

"Hear No Evil" Giveaway Winner

And the winner of the FREE copy of Matthew Paul Turner's "Hear No Evil" is Mr. Louder. If you are Mr. Louder, please leave your email so I can get your mailing info to get your copy mailed out to you. If I don't hear from Mr. Louder by the end of this week, a new winner will be drawn. Mr. Louder, talk to me!

"Hear No Evil"

I have to admit I was pretty excited when I was given the opportunity to be part of the Hear No Evil by Matthew Paul Turner (@JesusNeedsNewPR) blog tour this week. There is something about getting a book to review in the mail, especially a book like this, before it hits store shelves that makes me feel cool. I don't really think I'm that cool but I thought the book was.

I am at a point in my life where I have to read a lot and rarely do I get to pick what I'm reading. Hear No Evil was different. MPT writes in a way that is not only easy to read but so conversational and engaging that it is exactly how I would imagine a conversation would be with him while sitting at one of those hip Nashville joints he writes about. He shares openly and honestly about growing up looking at the world through a fundamental Baptist lens and how music helped him see a broader view.

There were times when he had me laughing out loud at things like his plan to become "God's Michael Jackson" (60) or his references to the classic CCM artists I grew up listening to myself like: Michael W Smith, Sandi Patty, and Petra. And then there were times when MPT would drop bits of insight that left me thinking and thoroughly challenged:

"people talking about how to create something "real" and "authentic" rather than just being real and authentic" (11).

"A person's first steps into grace are usually unsettling, more like walking into a minefield than a meadow" (72).

"Because of Jesus, I wanted to love people, which meant I didn't want to engage in relationships with an agenda" (214).

If you're looking for a great book that describes a journey of faith, grace, and music while making you laugh on one page and cause you to stop and think on the next, Hear No Evil by Matthew Paul Turner is right up your alley. Get a copy and check it out for yourself.

The publisher gave me 1 copy to give away for FREE. A couple ways to enter...
-comment on this post listing the first CD you ever owned (be honest)
-follow me on Twitter & share the link to this post (include @mattlipan in your tweet so I know who to count it for)
-write a blog about it & include the link
*please leave some way I can contact you if you win

You can also purchase a copy from Random House here.

This book was provided for review by the WaterBrook Multnomah Publishing Group.

American Music Awards

First, let's not forget about the likes of artists such as Cher, Madonna, Britney Spears, Christina Aguilera, Shakira, etc etc that have repeatedly pushed the envelope in live performances on various award shows before we get too wound-up about Adam Lambert's closing act of the American Music Awards last night.

Of course I found Lambert's "in the moment" choreography to be not only played out but offensive though what may have offended me even more (or at least the same amount) was the fact that he sounded awful. It's one thing to dance around "all suggestive-like" and sound decent, but it is a completely different thing to do so (quite poorly I might add) and sound horrible. Typically there is some sort of redeeming aspect of a performance that can be pointed out but in this case, everything was bad: costumes, set, theme, music, lyrics. I found myself wondering two things as I watched this disaster unfold; 1) Why in the world is this guy performing at the AMA's on the same stage as people like Whitney Houston? 2) Does he really have an album coming out?

As best I can remember, this is the first AMA's I've ever really watched and I must say that overall it was pretty bad. Most of the performances were not very good and everything sounded the same, whether it was the live performances or the nominees. I guess I never realized that the AMA's were so lame or maybe that's just because I'm picky about my music.

The Avett Brothers

I just can't seem to get enough of these guys right now.

Backspacer

Pearl Jam just released their ninth studio album entitled "Backspacer". As some of you might know, I am a fairly big fan of PJ and have seen them live a total of six times (so far), the most recent in Chicago a few weeks ago with my brother (@JLipan). Despite all of this, I would like to think my review of their most recent effort will be fairly objective but I guess you can be the judge of that.

The first few tracks on the album come with a distinctively upbeat feel to them with a hint of punk which seem to echo band frontman Eddie Vedder's lyrics, "I'm gonna shake this thing, I wanna shake this pain before I retire" from the first track Gonna See My Friend. This followed by Got Some and The Fixer, both of which I got to see performed live at their Chicago show. The energy is high right out of the gate and the music is in your face without being obnoxious.

The remaining tracks on this album sustain the level of energy but seem to really showcase Vedder's vocals, not unlike his solo work for the soundtrack "Into The Wild". This sounds especially true on the tracks Just Breathe, Amongst The Waves, Unthought Known and Speed Of Sound. These tracks are intermixed with songs like Supersonic and Force Of Nature which lean back to the punk/rock side of things.

Overall I have really enjoyed the album, apart from the album cover art. I was honestly not expecting to like this album very much but am finding the more I listen to it, the more I really like it as a whole. Of course there are some songs I like much more than others but there isn't one on "Backspacer" that I particularly don't like, which is cool. I think it really has "play all the way through" value. I'm having a hard time deciding whether Just Breathe, Amongst The Waves or Speed Of Sound is my favorite track on the album so feel free to help me out by giving this album a listen. I would recommend checking it out.

The Dead Weather

So I took another listen to Jack White's most recent project entitled "Horehound" from the band The Dead Weather which is made up of Alison Mossheart on vocals from the Kills, Dean Fertita on guitar from Queens of the Stone Age, Jack Lawrence on bass from The Raconteurs and Jack White on drums.

On my initial listen I was not a fan and after subsequent listens I am still not really a fan. The sound is somewhat unique but I think what makes it that way is that it should have come out 25yrs ago. "Horehound" has a dark, bluesy kind of rock sound that reminds me too much of the 80's, especially with Mossheart's vocals. I have no doubt she has a voice that can rock it out but it never seems like she really has the chance on this album to let it go. And while I am jealous at the freedom Jack White has to pretty much do whatever he wants musically and bring together an extremely talented group so he could play drums, I would rather have heard him on lead vocals. What makes Jack unique from other current artists is his voice and his lyrical way of telling stories, not unlike a number of his tracks with The White Stripes and The Raconteurs. I am really hoping that The Dead Weather does not become his lead project and result in the previous two bands being neglected, especially The Raconteurs (I was surprised at how much I like them).

I would not recommend buying this album but if you find yourself being a die-hard Jack White fan, at least give it a listen first. Despite that, I really liked the guitar on the song "New Pony" and would say that "I Cut Like A Buffalo" and "So Far From Your Weapon" were my two favorite songs on the album.

Quality Over Style?

My class this week has caused me to think a lot about different aspects of worship; everything from the types of digital projectors we use to the images in our slide shows to the type of music we use in worship. All of this has made me wonder if before the 31 flavors of worship, people value quality above variety.

I know we each have our opinions of the style of worship we appreciate most but I would venture to guess that we would settle for a different style if it is done well, especially if the style we prefer is not done with the highest quality. Would you rather attend a well done X style of service as opposed to your preferred Y style done mediocre at best?

More and more people are saying that 20's & 30's are starting to prefer more traditional styles of worship, while I won't necessarily disagree with that (though I am 30 and would prefer a well done contemporary service) I'm wondering if we are seeing this apparent trend because traditional style services are "easier" to do well. Please don't be offended by that statement, what I mean by this is simply that traditional style services are much more scripted with the use of liturgy, hymns, choirs, etc. Contemporary style services tend to be much looser and more dependent upon the musicians and worship leaders in order to execute well. Am I making any sense? Seriously, tell me.

I guess the point I'm wondering if I am getting to is that people tend to attend worship services that are done well, almost regardless of their style preference. While I prefer a contemporary style of worship, there is no question in my mind that I would attend a high quality traditional service with a dynamic speaker over a mediocre contemporary service with the same speaker. I think my desire for quality trumps my preference of style.

What do you think? Am I way off base?

Secular Music in Worship

I find myself down in Wilmore, KY for another class at ATS during the second summer session. This week my class is Technology in Ministry and looks to involve video editing, digital photography, photo editing and powerpoint work. Those are the practical aspects of the class, the philosophical aspect of the class involves a discussion around the effective use of technology in a worship service setting. It looks like we will be wrestling with questions of when, where and how things like video clips, music and slides can help create an atmosphere of worship.

The very first example Dr. Boyd used in class this morning was a slide show using the lyrics of a Paul Simon song entitled "Slip Slidin' Away". Of course I know who Paul Simon is and actually I like his stuff but I must admit that I had never heard this song before this morning but that is beside the point. I found it interesting that he chose to use a "secular" song as his first example for us, which played right into something I have been thinking about for a while now...should secular songs be used in worship services?

If you don't know this about me, you should know that I like music a lot. To the point that it becomes annoying for some people around me because I have music playing almost constantly. I am also a self-proclaimed music critic which has led me to avoid the majority of "contemporary Christian" music. I tend to think it's just not very good. Having said all of that, I believe that God can and does use "secular" and "Christian" music to connect with people in one way or another but am still working through the use of "secular" music in a worship service setting. I'm not saying I'm for or against it just yet, just that it seems like surely there has to be enough decent "Christian" music out there to use instead.

I guess I'm not sure that when unchurched visitors join us in our worship services and hear songs from Hootie & The Blowfish, The Beatles or Three Dog Night they leave thinking they experienced the presence of God, just attended church and/or plan on coming back. Sometimes it is easy for me to make a connection between a particular "secular" song and God but that's coming from someone who has an established relationship with Jesus, what about the person who is unfamiliar with church, God or His Son?

I'm not convinced either way at this point but would certainly love to hear what you think.